Under the leadership
of Zorich, Shklov became a veritable "Belarussian
Versailles." Having grown accustomed to
the Russian Court, once in exile, Zorich
set about creating a lavish atmosphere that would be
fit to be visited by Catherine herself.
He established a military school for children of the
nobility and established a Cadet Corps.
He built a theater and a huge
greenhouse. He selected a group of the
most talented local peasant girls and had them
trained in theater and dance by an Italian
teacher. In addition they were taught
reading, writing, mathematics and
French. Once of the most talented of
these girls was the beautiful Catherine
Azaravich. Zorich created a court in
Shklov with sumptuous dinners, concerts, theater and
ballet performances. To express his continued
devotion to the Empress, on Catherine's name day,
Zorich gave a grand ball with fireworks, the like of
which were not seen elsewhere. In 1780
the Empress Catherine, who had journeyed to nearby
Mogiliev to meet up with Emperor Franz Joseph,
visited Shklov, where Catherine and Franz Joseph
were hosted by ex-favorite Zorich, and spent the
night. Zorich hosted a magnificant dinner and
showered his ex with such lavish hospitality that
she even visited Shklov a second time soon after.
During this period when Zorich feted a lavish court in Shklov, approximately 80 percent of the town's population was Jewish. As a result, in Shklov, Russian aristocrats and the local Jewish population came into unprecedented contact. Some of the more prominent Jews of Shklov then had access to the lavish cultural life of the Court, thus coming into direct contact with Russian life and institutions, and, as a result, their social and cultural horizons were broadened. Zorich's Court and Shklov's Jewish commercial economy became inextricably intertwined, as Zorich's lavish lifestyle required a constant flow of imported luxury items. Shklov's most prominent Jewish merchants became closely associated with Zorich's court, and through it became drawn into the business and social world of Russian officials. On of the dancers in Zorich's Shklov ballet company was a Jewess named Elena Yankelevich. Zorich's court and its institutions thus transformed life in Shklov, introducing the customs of European high society to a predominantly Jewish commercial town, which was a truly unusual phenomenon. |
Portrait of Semyon
Zorich
|
A significant
development of the 18th century in Jewish life was the
spread of Chassidism in Eastern Europe. One
of the major intellectual schisms of the 18th century
was the struggle for influence between Chassidism and
its opponents, who were known as "Misnagdim" or "Mitnagdim," a
Hebrew word meaning "opponents." The most
prominent leader of the Misnagdim was Rabbi Elijah
(Eliyahu) ben Shlomo Zalman, commonly known
as the Vilna Gaon, or "the Gra." This
opposition arose in response to the growth of the
Chassidic movement, begun by rabbi Israel ben Eliezer
(1698-1760) , known as the Baal Shem Tov ("Master of the Good
Name"). Already during his lifetime, and gaining
momentum after this death, disciples of the Baal Shem Tov
taught his mystical approach which launched a spiritual
revolution in Jewish life. Jewish masses flocked
to this new inspired brand of mystical Judaism.
However, the fledgling Chassidic movement encountered
stiff resistance among Lithuanian Jews (known as Litvaks).
The Vilna Gaon and his followers put up the fiercest
resistance, and became known as the "Misnagdim."
Bitterness between the two camps ran deep. Shklov
was a bastion of followers of the Vilna Gaon. Jews in the town of Shklov enjoyed a close relationship with the Vilna Gaon, and Shklov thus played a unique role in the battle against Chassidism. In early 1772, Shklov became the first Jewish community in Eastern Europe to issue an official ban against the Chassidim. This ruling was fully endorsed by the Gaon, who then mobilized the Vilna community to issue the Vilna herem (ban) against the Chassidim in May 1772. This systematic campaign against Chasidism was also adopted in other communities in the region. The Rabbis of Shklov, often referred to as "Chakhamai Shklov" (the Sages of Shklov), who were among the most enlightened Jewish leaders of their day, became the driving ideological force behind the anti-Chassidic movement in the Mogilev province. They were a circle of disciples of the Vilna Gaon led by Rabbi Benjamin ben Shlomo Zalman Rivlin (1728-1812). |
Portrait
of the Vilna Gaon
|
The Perushim played a
critical role in the rebuilding of the "Hurva"
Synagogue. In 1815 Rabbi Menachem Mendel of
Shklov, leader of the Safed Perushim moved to
Jerusalem with a group of
followers. They wanted to reclaim
the Ashkenazi Compound and rebuild the Hurva Synagogue,
believing that this would have great Kabbalistic
significance that could be a prerequisite for hastening the
coming of the Messiah. They had
tremendous difficulties in getting permission
from the Turkish authorities but finally in
1864 succeeded, and the Perushim then were able to rebuild
the synagogue. It became Jerusalem's main Ashkenazic
synagogue until it was once again
reduced to rubble by the Arab legion during the 1948
Arab-Israeli war.
From1948, the building remained in ruins for years, though a commemorative arch was built on the site in 1977. As an interesting postscript to this story, for decades there was debate about how to rebuild the "Hurva," and various plans were considered. Plans to rebuild the synagogue in its 19th-century style were approved by the Israeli government in 2000, and the newly-rebuilt synagogue was dedicated on March 15, 2010. Now rebuilt, the "Hurva" once again stands prominently in the plaza near the center of Jerusalem's Jewish Quarter of the Old City. Its rebuilding is an important symbol of the continuity and rebirth of Jewish traditional life in Jerusalem. Once again the voice of Jewish prayer is heard in the Hurva. However, the building is not as open for both prayer and tourism as it should be. There is an uneasy coexistence between the religious and the Ministry of Tourism. Access is often blocked, as tourists are only allowed to visit at certain specific times once or twice a day, from one entrance, while those who wish to pray enter at other specific prayer times through another entrance. Aspiring visitors are often turned away, and often cannot come back at the permitted times, and so fail to enter the "Hurva". A building of such historical and religious significance should have more open access for all those who wish to see this splendid synagogue or pray within its walls. |
Caption:
"Hurva Pre-1948" - Painting by Reuven
Shklenker
|